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Rating: R (Terror | Some Disturbing Images | Violence)
Genre: Horror, Mystery & Thriller
Original language: English
Directed by Michael Chaves
Producer: James Wan, Peter Safran
Author: David Leslie Johnson-McGoldrick
Release date (theaters): June 4, 2021 Wide
Release date (streaming): June 4, 2021
Running time: 1h 52m
Production company: New Line Cinema, Atomic Monster, Safran Company
Aspect ratio: area (2.35: 1)

THE CONJURING: THE DEVIL MADE ME DO IT is based, believe it or not, on a real-life case. In the 1980s Connecticut had a person on trial whose defense was that he was demonically possessed when he killed his landlord, and real-life paranormal investigators Ed and Lorraine Warren were involved in the case. Furthermore, take what you see here with caution. This is a horror film, not a documentary.
However, this is the third film in the series “The Conjuring” (not counting a number of spin-offs) and lives up to the series’ hallmarks, primarily character-driven. Then, while having really scary moments, it avoids both excessive bleeding and reliance on cheap “jump scares”. Instead, it invites you into its world and only asks you to suspend your disbelief during its term.
The story begins with the apparent obsession of young David (Julian Glatzel). During an attempted exorcism, Arne (Ruairi O’Connor) — boyfriend of David’s older sister Debbie (Sarah Catherine Hook) — invites the demon to take him away instead. Arne then suffers from hallucinations that lead him to take the life of his landlord. Enter Ed (Patrick Wilson) and Lorraine (Vera Farmiga) as they search for evidence to prove Arne’s possession.
It plays like a mystery with clues discovered and clues to be pursued. You turn to a retired priest (John Noble) who studied demonology. This leads to a climax where Ed and Lorraine fight the person who conjures up the evil force. It’s a horror / thriller suitable for those who are ready to ride.
The secret of the success of these films is their characterization. Ed and Lorraine’s bond is put to the test when he suffers a heart attack during one of their encounters and she becomes deeper and deeper drawn into the evil they follow. Their relationship is mirrored by Arne and Debbie, who considered getting married before he was arrested. She believes in him and stays with him. This is in contrast to an unhealthy relationship that two other characters have, which turns out to be the key to the secret.
Interestingly, there is a 1983 TV movie based on the same incident called “The Demon Murder Case”. What The Conjuring: The Devil Made Me Do It is a franchise starring Wilson and Farmiga representing the Warrens as a supportive couple who take their jobs seriously. They are the anchors for the audience by making them appear normal rather than larger-than-life characters. By spreading the horrors without offending the intelligence of the viewers, the filmmakers came up with a formula that works and does it here too.

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I have a certain amount of respect and ambivalence for what Warner Bros. has achieved with The Conjuring films. On the one hand, given the number of sequels and spin-offs, it has moved from an original horror film to a fully functional cinema universe (one of the few outsiders of the MCU that has actually been successful). At the same time, building up a number of films that essentially glorify controversial paranormal investigators Ed and Lorrain Warren continues to smack a bit sour as these films deal with the lives of real people. These films are reinterpretations of true events in which a married duo who have basically committed nationally acclaimed glee can be held up as religious ghost hunters defeating demons. All of this, I think, is a way of saying that this third entry in the main series, The Conjuring: The Devil Made Me Do It, is taking that series in a new direction, even if it lacks in some areas.

It would always be a struggle to see someone else try to make a movie in the world developed by director James Wan. However, Michael Chaves (director of The ConjurVerse’s unofficial contribution, The Curse of La Llorona) stepped in and tried to bring his own expertise to this world. The results are mixed. I wasn’t a huge La Llorona fan, but Chaves brought back some stylistic memories of the early Sam Raimi in the more exciting moments of that film. For this third Conjuring film, Chaves seems to be holding back that sensitivity in order to replicate Wan. Not a wrong choice in terms of consistency, but it’s hard to watch a movie like this without thinking about how different (and better) Wan would have approached the same material.

Based on the 1981 murder trial in which Arne Cheyenne Johnson (played by Ruairi O’Connor in this film) claimed the devil made him kill his landlord, this film focuses on the investigation of Ed and Lorraine (Patrick Wilson and Vera Farmiga) against the truth. The opening can be a highlight when we see little David Glatzel (Julian Hilliard) experiencing an exorcism. It is successful to some extent as the boy’s soul is set free just for the demonic spirit to invade Arne’s body. Arne actually volunteered, a huge challenge for the guy just dating David’s older sister, Debbie (Sarah Catherine Hook).

Staged well enough, with at least one visual callback to The Exorcist, this opening is now synonymous with The Conjuring in terms of horror-fueled prologues, but also the guide to a new direction for the series. While the movie as a whole is still a case of the week, for the entire movie we focus on the same family and everyone involved. Plus, The Devil Made Me Do It isn’t just stationed in a family home, it’s just for the Warrens to take the call. You see, this time around, a human threat seems to be in charge, and the Warrens are acting more like demon detectives. You track down clues and come across unsettling situations in several places, such as John Noble playing a friendly person who wants to help.
Does that make this entry more exciting? Yes and no. For the third Conjuring movie and one of many in an ongoing horror franchise, it makes sense to change the formula up rather than see it get stale. I like the first two entries about the same, but it’s easy to see that The Conjuring 2, while still based on actual events, relied on the same story structure. This entry gives itself some space, but that also leads to some problems. A central problem area is that the film makes us popular with the suffering people. One of the best things about the other conjuring films is that we got to know the main families well enough and didn’t want anything to happen to them. While I like anti-demons and of course I don’t want bad things to happen to innocents, I can’t say that this movie helped me a lot in connecting with Arne, Debbie and David. Whether this is due to weak spelling, accomplishments, or both, the film’s use appears to be far less severe by comparison.

Fortunately, this film understands that the Warrens are the stars. There’s a lot more to be said about their real-world counterparts and what this series may do to dispel the less-than-palatable aspects of their legacy, but I have no real reason to speak badly about what Wilson and Farmiga did with these fictional images have versions. Even as a demonologist, the line of being a loving couple has stayed with her. Both are smart, motivated, and sometimes humorous personalities who hold firm to their beliefs and the fight against demonic evils. They would do anything for each other too. The amber flashbacks when these two first met may seem over the top in a cheap way, but it still helps convey that these two are the very personable heart of this whole universe.
But how does all of this affect a mainstream scary movie for audiences? Well, you can see these two take on creepy ghouls and goblins in the darkly lit corners of Smalltown, USA. Okay, so we might not see a tag team wrestling match with goblins, but the movie allows us to see the Warrens in action. Lorraine in particular is given plenty of time to shine using her ability to look back on scenes of demonic crimes and play through specific scenarios. At the same time, Ed watches and deals with current elements that rumble in the night. We also see Arne fighting during his stay in a prison hospital where some occult activity appears to be shooting at him.

As a horror film from the period, it’s easy to see The Devil Me Do It relying on satanic panic to fuel the story. The impending trial could serve to bridge some sort of gap between what the Warrens do and the way a court considers their efforts.